The Question

Post 2 of 8 :: Mixing Metaphors: One Artist’s Passage from Humming Child to Singer-Songwriter Recording Artist

Michèle Sharik

Michèle Sharik is an insanely talented handbell soloist, which is pretty much just as amazing as it sounds. I once played (and recorded!) with her a piece that was commissioned for her called Relentless, which in the classical music world we affectionately call a “pan-banger.” In this piece, she plays two full 8-foot tables of instruments (handbells, chimes, percussion), while I simply play … my cello, but in highly unusual ways. You can find a recording of it … done playing together in one full take … here. You can also hear another recording I did with Michèle that I love love love, Gounoud’s Ave Maria, here. And just one more little gem I did with her on that album … La Paix by Handel here.

Playing Gounoud’s Ave Maria in concert with Michèle Sharik, 2007

I remember the first time she asked me to play with her in a concert … and offered to pay me. It reminded me of New Years 1984, when a highly attractive Canadian chatted me up in a bar in Brussels, Belgium. He was so good looking I was sure he was talking to someone behind me. In my defense, it *was* dark ….

That’s how it felt when Michèle asked me to be her cellist. I had never considered myself good enough at any type of music to be paid, much less featured. I remember the first time we performed Relentless together in concert … I laughed after the last note because I was so delighted that we had ended exactly together (it’s a tricky ending). I *think* she found that endearing since she asked me to play another concert with her shortly thereafter …

Michèle and I played several concerts together, and I was the featured cellist on the three tracks of her Chimera CD I mention above. My work with her opened the door to playing with Bev Barnett & Greg Newlon (the subject of my next blog post) and recording on their CD Any Doorway Will Do as well as other cello recording projects.

It may have gone no where with the handsome Canadian, but if it were not for Michèle’s surprising and life-altering question, I would not be where I am today. I am intensely grateful to her for asking.


To learn more about Michèle and her work, please visit her website thegoldendance.com.


To listen to and purchase Martha’s new album THESE HANDS, please visit her page on Bandcamp.com or click the button below. Thank you for visiting and reading!

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