Post 3 of 8 :: Mixing Metaphors: One Artist’s Passage from Humming Child to Singer-Songwriter Recording Artist
Bev & Greg spotted me at a church talent show when, having finally bought myself a guitar for my 40th birthday, I played and sang one of a handful of songs I had learned around the campfire – John Prine’s “Paradise.” They knew me already as a classical cellist with composing and recording experience. Not long afterwards, Greg called me and asked if I’d like to play a cello line on a song for their upcoming album.
Of course I said yes, and I made my non-classical recording debut on cello in their gorgeous and bittersweet (i.e. perfect for cello) song, “Eloise” from Any Doorway Will Do. It was during that recording session that Greg gave me a morsel I have pondered since and later became the subject of a blog post. The gist of it is that in order to do music well … anything really … you have to get over the fact that it’s you doing it. This is probably the most valuable thing I learned in my 2 years singing and playing with Bev & Greg over many shows, including several out of state.
There were so many firsts in my time with them: first time singing into a microphone, first time writing a cello part for a non-classical recording, first time singing backup, first time performing percussion, first time singing and playing percussion at the same time, first time getting paid to sing, first time traveling to perform music. I also learned how to write vocal harmonies, both in terms of proper pitching and proper musical arrangement, by listening to Greg’s painstaking work to write high harmony parts for me. This was the first time realizing that simply “pulling a harmony” on the fly is fun, but not always musically accurate or even advisable.
With this bucket of knowledge to draw from, I also became (and learned actually to believe that I was) a great backup singer. I learned how to blend, how to be present without upstaging the leads, and how to love every moment of being on stage and making beautiful music that moved people to grateful tears. Their music is that good, and the harmonies, so carefully crafted, are that sweet. You can see a selection of my favorite videos singing with them here.
I also learned from watching Bev sing. I had and to some degree still have insecurities about my singing, which are probably shared by other women who have the audacity to sing lead. My young female self ingested deep directives not to take up space, and singing lead is nothing but. Yet I watched Bev sing anyway, and beautifully. I asked her once when she realized she had a great voice. She laughed, then said she didn’t believe she could sing well until she was in her 40s. I took that to heart, and I credit watching Bev with planting a seed to try to write and sing my own music.
Later, after MapleDream (an original girl band I co-founded, the subject of an upcoming blog post) ended, and long after I sang my last show with Bev & Greg, Greg became a musical mentor to me. Over the course of about a year, he taught me about songwriting and chording, and he put several of my songs on solo guitar and thereby taught me how to do it myself, another subject about which I’ve blogged. In other words, he taught me how to be a solo singer-songwriter. Still later, it was Greg who, when I asked his advice about how to record an EP, steered me to Kenny Schick, my producer. Greg’s mentoring is tough and unvarnished, but full of a steady, encouraging love, and I am grateful to him and to Bev for everything they gave me.
To say that I owe Bev & Greg a lot is a massive understatement. I think it’s fair to say I positively would not be where I am today if not for them. Thank you, Bev & Greg … very, very much. And let’s sing again together sometime … I still remember my parts ❤️.
To learn more about Bev Barnett & Greg Newlon, please visit their website bevandgreg.com
My new album, THESE HANDS, is available wherever you like to buy and listen to music. Click the button below to listen to the album, and please consider a purchase if you like what you hear. Thank you!